Dhurandhar 2: Prakash Raj slams south actors praising Ranveer Singh-starrer 

Ranveer Singh has just delivered a historic opening at the Indian box office with his latest outing, Dhurandhar 2: The Revenge. While the film is praised for its prolific narrative, a section of the audience and religious leaders are calling it propaganda. Now, actor Prakash Raj, who never minces his words, has slammed actors like Allu Arjun, Mahesh Babu, and Jr NTR, among others, who praised the film.

Prakash Raj’s jibe at actors praising Dhurandhar 2

In an X post shared by Prakash Raj, a video shows the radio playing the iconic song Abhi Na Jaao Chhod Kar from Hum Dono (1961), featuring Dev Anand and Sadhana. While sharing the romantic track, he captioned, “Me bahut door (very far away) from Dhurandhar. Are you (sic)?”

In another X post, the actor quote-tweeted a post that read, “Dhurandhar 2 has been praised so far by Allu Arjun, Vijay Deverakonda, Jr NTR, Mahesh Babu, and Ram Charan. Any Bollywood star tweeted kya?” The 60-year-old, in his caption, wrote, “Signs of obligations are spreading to South too.”

Mahesh Babu lauded Aditya Dhar’s latest directorial Dhurandhar: The Revenge and called it “an explosion executed with perfect precision.” Allu Arjun was among the first to watch the second part of director Aditya Dhar’s eagerly awaited action thriller. He showered praise on it, calling it “an Indian story with international swag.”

About Dhurandhar 2 controversies

Despite the controversy, Dhurandhar: The Revenge, directed by Aditya Dhar and starring Ranveer Singh, has made a strong start at the box office. The film has attracted attention not only for the performances but also for the controversies surrounding it. From court petitions and public outrage to debates over its political undertones, Dhurandhar has remained in the headlines.

Allegations also emerged from the family of Ashoka Chakra awardee late Major Mohit Sharma, who claimed the film draws heavily from his life and covert operations. Further criticism came from members of the Baloch diaspora, who objected to the portrayal of Baloch characters and insurgent groups.

Additionally, critics have argued that the film leans strongly towards nationalist themes, with its depiction of cross-border tensions and intelligence networks being viewed by some as politically charged and propagandist rather than purely cinematic.

 

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